The repertory for the cello has seen a huge expansion in the 125 years since Dvořák wrote his Cello Concerto, but it is still the most popular work ever written for the instrument. One hears echoes of it in countless works written since it was new, and it taught a lesson to Brahms, who said near the end of his life that he would have written a cello concerto himself if he had realized what the instrument, as demonstrated by Dvořák, was capable of doing. The concerto has a special place in the repertory of virtually all cellists – it acts as their official calling card. Every cellist seems to develop a uniquely personal relationship to this piece, an almost symbiotic connection between the character of the music and the personality of the cellist playing it.
Brahms’s Second Symphony will close out the program. This beloved symphony is the closest Brahms ever came to writing a “pastoral” symphony. With its wonderful evocation of the out of doors in bright sunshine – not a frequent occurrence in the music of Brahms.
All Boston Philharmonic Orchestra concerts make use of a stage extension. This makes row E the first row directly in front of the stage. View Symphony Hall Seat Map to see where the extension overlaps and where any viewer obstructions are located before you choose your seats.
If you are choosing to have your tickets emailed to you, your tickets are print-at-home and not digital or e-tickets. This means that you will receive an email with PDF attachments. One PDF per ticket that you purchased. You must print your PDF ticket(s) out and bring them with you to the concert. Print-at-home tickets are a convenience for ticket buyers so that they may receive their tickets right away.
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